Gregory Oehler,  Visual Effects Supervisor

Gregory Oehler is a Visual Effects Supervisor and 28-year veteran of the industry with over 90 feature film, television and special venue projects under his belt. A Flame artist since 1997, Greg has designed and executed custom effects for an array of films, ranging from Oceans Twelve  to Watchmen,  Contact  to Titanic, The Illusionist  to The Bourne Ultimatum, and Fantastic Four  to G.I. Joe. Along the way, Greg has had the privilege to work hand in hand with some of the industries top directors, producers and visual effects supervisors. Greg’s recent supervisor contributions include The Green Hornet, Pirates Of The Caribbean: On Stranger Tides, The Odd Life Of Timothy Green, Men In Black 3 and The Amazing Spider-Man.

 

Gregory Liegey, Visual Effects Supervisor

Beginning his career as a composite artist specializing in look development and shot design, Greg worked for some of the visual effects industry’s top houses (ILM, Sony Imageworks and Cinesite among them).  Graduating to the position of Visual Effects Supervisor in 2004, he has served in that capacity on over twenty films during the past decade. In that time, Greg presided over the production of, quite literally, thousands of shots. Flightplan, Evan Almighty, Inglourious Basterds, Tower Heist, and Fury represent just some of his credits.  Overseeing work both on set and off, his range of experience covers everything from miniatures to full CG environments.  Greg has had the opportunity to work with many top directors, producers, vfx supervisors, as well as some of the industry’s leading technicians - each experience helping to fine-tune the balance between art and technology, essential to the creation of high-end visual effects.

 

Michele Vallillo,  Executive Producer 

With over 20 years' experience on over 25 feature films, Michele began her career as an intern with the distinguished organization New York Women in Film and Television. After relocating to Los Angeles, she joined Cinesite Hollywood in its early days and soon thereafter, moved to London to launch Cinesite London. Returning to LA, she continued to produce for various studios including Rhythm & Hues, CIS Hollywood, Method Studios, Pacific Title & Art and Universal Pictures. Michele's credits include The Green Hornet, Contagion, Scooby Doo, and Fast & Furious, and was nominated for a VES award for “Outstanding Supporting Visual Effects in a Feature Motion Picture" for her work on Argo.